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Boisgeloup: the invention of a language
Minotaur
Bather
The intimate retreat
The workshop revealed
Marie-Thérèse
Laboratory of forms
Sculpture Garden
La Femme à l'orange – (Woman With Orange)
Tête de Montserrat n° 2 – (Head of Montserrat No. 2)
Study for “The Angel, The Insect, The Dancer”
Autoportrait – (Self-Portrait)
Tête en profondeur – (Head in Depth)
Femme se coiffant I and Femme à la corbeille
L'Ange, L'Insecte, La Danseuse – (The Angel, The Insect, The Dancer)
Gazelle de four décorée d’une femme nue se coiffant – (Gazelle Decorated with a Naked Woman Combing Her Hair)
Main – (Hand)
Oiseau (Colombe) – (Bird (Dove))
Vase-Pichet – (Vase Jug)
Le Cavalier – (The Horseman)
Corneille
The house’s rooms
The Garden
The Orient
Numismatic collection
Polain Donation
Wool machine
Loom
Archives
THE WORKERS AND THE MANAGEMENT
Fabric Printing
THE MACHINES
Who owns these paintings?
From devotion to the art market
From collective worship to private devotion
Changes in painting in Siena in the 15th century
The art of storytelling
The assertion of a new artistic style
The reform of painting in the early 14th century
Renaissance art in Siena
Contemporary counterpoint, 'A Spring in Siena'
Sienese painting in the 13th century, the major themes of a form marked by tradition
Reproduction of the fresco known as "Good and bad government" by Ambrogio Lorenzetti
Sassetta, painter of the transition
German romanticism
Coronations and massacres
English and French romanticisms
The birth of a heritage
Victor Hugo, the cult of the writer
The gargoyles and the stryge
The decorative arts
Impressionism
Rodin and symbolism
French modernity
Introduction
The Painter, this Narcissus
The Journey to the Netherlands
The Painters’ Armada
Bridges
A New Vision: Photography
Contemporary Landscape Photographs of Nascent Impressionism
Rowing
Stereoscopic Views
The Boat Studio
Trees on the Water’s Edge
Sisley and the Seine
Rouen and its School
The Neo-Impressionists
Monet and the Horizon
Pictorialism
1914 : The Cathedral at war
The German avant-garde
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