Much like in the Vollard Suite engravings which explored a similar theme, the sculptor is depicted here not in the act of sculpting, but in contemplation of his finished piece. Is he looking on with a lover’s gaze, or simply admiring with satisfaction his work, a sculptural portrait of Marie-Thérèse? The imagery is mythological in nature and calls to mind Pygmalion, the sculptor who fell in love with his creation, showering her in kisses and gifts. Named Galatea, meaning “white as milk”, the statue was eventually brought to life by Aphrodite, the goddess of love, who appreciated the relationship between the artist and his art. In this light, Marie-Thérèse, can be seen as both Picasso’s muse and his creation.

Musée national Picasso-Paris
© Succession Picasso  2017
Localisation : Paris, musée Picasso
Photo © RMN-Grand Palais (musée Picasso de Paris) / Béatrice Hatala