Phased out of his sculptural pieces from 1930 onwards, the bather as subject is reintroduced to Picasso’s work in February 1937. In contrast to the dynamic energy of his sculptures, Picasso’s painted bathers are portrayed as static. The huddled form of this bather pouring over her book is rendered through ovals, conveying her concentration as she reads. The curves and angles that make up her body are highly exaggerated, and she has been made to look solid and sculptural through the application of clean charcoal lines and pastel highlights to the paint.

© Succession Picasso  2017
Localisation : Paris, musée Picasso
Photo © RMN-Grand Palais (musée Picasso de Paris) / Jean-Gilles Berizzi